Criterion’s Blu-ray edition of François Truffaut’s The Last Metro is presented in its original aspect ratio of approximately 1.66:1 on this dual-layer disc.

This story seems just right. This is a timeline that shows your current position in the film. This item: The Last Metro (The Criterion Collection) [Blu-ray] by Catherine Deneuve Blu-ray $27.99 Only 1 left in stock (more on the way). It lists the index chapters for the film and the two commentary tracks, and you can also switch to the commentary tracks from here. What Truffaut is most interested in, as in all his films, is the effect this need for constant dissembling has on individual identity and relationships. Azema and Toubiana actually take up most of the track, and Depardieu only rings in once in a while, mainly during the last half of the track. Two of the greatest French actors meet in somewhat awkward love triangle/tryst during highly secretive days of the second world war.

The DVD’s transfer was still a stunner, but the Blu-ray improves on a few of the DVD’s shortcomings, presenting the film almost perfectly. Highly recommended! © 2008-2020, Amazon.com, Inc. or its affiliates, Shoot the Piano Player (The Criterion Collection).

The scene is an added bit between Deneuve’s Marion and the screenwriter, Valentin, who pops up. Azema seems to only be there to confirm that the film is fairly accurate in its representation of its subject matter. And what a company it is. It was apparently re-inserted in a 1982 home video release.

He talks about his techniques, working with Truffaut, and tricks of the trade.

Picture 9/10 Criterion’s Blu-ray edition of François Truffaut’s The Last Metro is presented in its original aspect ratio of … The opening still sounds a little rough but the rest of the film’s soundtrack is much better. Working with Truffaut: Nestor Almendros is a 28-minute interview with the director of photography taken in 1986 for a documentary. They also talk about the lighting, some of which was done by candle light. The scores for which he is now best known followed close on their heels: his energetic, lovely melody for Jules and Jim and his grand, swoony, undulating theme for Contempt—the latter appropriated years later by Martin Scorsese for his 1995 drama Casino. Reviewed in the United Kingdom on April 23, 2018, Reviewed in the United Kingdom on January 1, 2016, Reviewed in the United Kingdom on December 17, 2012, A very well made film and thoroughly enjoyable to watch.The main stars work. After viewing product detail pages, look here to find an easy way to navigate back to pages you are interested in. She places the film in its historical context, explaining some details about France during the German occupation and the meaning of the title. While it doesn’t really have much to do with The Last Metro it’s a nice addition, showing off the two directors’ early style. Criterion’s edition of François Truffaut’s The Last Metro is presented in its original aspect ratio of approximately 1.66:1 on the first dual-layer disc of this two-disc set.

It sounds as though Truffaut had something closer to a black-and-white film in mind, but Almendros went with a red monochrome look, having a majority of the sets painted warm yellows and reds. ※最安送料での配送をご希望の場合、注文確認画面にて配送方法の変更が必要な場合があります。, ■予約■[FUNKO(ファンコ)] Funko Pop!

4.2 out of 5 stars 111 ratings. Francois Truffaut, Catherine Deneuve, and Gerard Depardieu. Your recently viewed items and featured recommendations, Select the department you want to search in. For a movie about a sad and terrible time, there is a lot of strength, here, and I found Truffault, for some bizarre reason, easy to understand. Very disappointed and embarrassed to show it... How can you sell this as a new DVD? One of these items ships sooner than the other. I realize that with scholarly tracks I usually only enjoy them if I’ve felt I’ve actually learned something rather intriguing, found something in the film I wouldn’t have otherwise noticed, gained a new appreciation for it, or it convinced me that a film I used to loathe was actually something special. He does expand on a lot of things, though, getting into more detail about the laws for theaters, film, and media in general, talks about the newspapers mentioned in the film, the resistance, and also gets into the fashions of the period, even hair styles. An exquisite movie based in Paris during WW11 when under German Control- the focus is around theatre and the Jewish involvement in the arts & entertainment. The first commentary presents film scholar Annette Insdorf, who has written about Truffaut and (as she constantly reminds us) acted as translator for Truffaut, even translating for him after a screening of this film in New York.

Catherine Deneuve, wife of the director and lead lady, is gorgeous as she balances the needs of her cranky Jewish husband in hiding (Heinz Bennent; he's continuing to direct by listening in to rehearsals through the pipes) and those of her handsome leading man (Gerard Depardieu), whose only way of coming on seems to be to grasp a pretty woman by the hand, gaze into it and murmur, "I seem to see two women here." Reviewed in the United States on April 9, 2019. You also have the ability to “bookmark” scenes by pressing the GREEN button and return to them by selecting them on the timeline. Francois Truffault, who has always terrified me as a true "art" director, comes across in this film with warmth and humor; not only that, one get to learn a little about Paris under the Nazis and how people "coped." The image has been enhanced for widescreen televisions. How the loyal company, including a young Gerard Depardieu before he got all weird, protects their director and dances around Nazi censorship is a fascinating story. The Last Metro (The Criterion Collection). See reviews & details on a wide selection of Blu-ray & DVDs, both new & used. This is pretty common on Blu-ray (also common on HD DVD) so it’s nothing new, but a nice presentation still. Please try again. There's a problem loading this menu right now. I know I’ve listened to solo tracks by her before but can’t recall if I enjoyed them but the one presented here is simply okay. Apparently only excerpts were used for the documentary but Criterion has put the remaining source materials together for this release. Reviewed in the United States on June 26, 2009. The image is presented in 1080p. Against all odds—a Jewish theater manager in hiding; a leading man who’s in the Resistance; increasingly restrictive Nazi oversight—the troupe believes the show must go on. Collector's Edition, Color, DVD-Video, NTSC, Subtitled, Widescreen, Andr a Ferr ol, Gérard Depardieu, Andréa Ferréol, Catherine Deneuve, Gerard Depardieu. The interview thankfully offer some excellent information about the making of the film. Life in France under the Nazis always makes for an exciting film and life in a theatrical company is also generally interesting.

It is not a thriller or really a drama... it is a carefully constructed story that takes you on a journey involving several interlocked but very different characters - it is sub-titled in French; normally I hate this format, but did not find it much of a distraction- still you do miss subtle facial expressions and gestures... it would be worth a second watch, and to not focus as much on the French captions.

Equal parts romance, historical tragedy, and even comedy, The Last Metro (Le dernier metro) is Truffauts ultimate tribute to art overcoming adversity. Against all odds—a Jewish theater manager in hiding; a leading man who’s in the Resistance; increasingly restrictive Nazi oversight—the troupe believes the show must go on. The Last Metro captures the tension of occupied Paris, Reviewed in the United States on November 13, 2010. Starring Gérard Depardieu, Catherine Deneuve, Jean Poiret.

There’s nothing really illuminating here but the four fondly recall actually being cast for the film and the working with Truffaut. Welcome to CriterionForum.org, one of the premier destinations on the web to discuss DVD releases from The Criterion Collection, Masters of Cinema, and other DVD production companies from around the world. Instead, our system considers things like how recent a review is and if the reviewer bought the item on Amazon. Our payment security system encrypts your information during transmission. Retrouvez infos & avis sur une large sélection de DVD & Blu-ray neufs ou d'occasion.

Reviewed in the United States on September 22, 2013.

I liked this feature, and it was a nice intro to the next feature. Performing The Last Metro– (1080p, 14:56) interviews with actors Andrea Ferreol, Paulette Dubost, Sabine Haudepin, and second-assistant director Alain Tasma.

Truffaut goes beyond telling a story of love and tragedy in Nazi-occupied France, it shows how intensely he feels about art and theater and how inseparable they are from human life. Delerue’s stature grew, thanks to scores for such films as The Two of Us and King of Hearts, and eventually he would not only win an Oscar (for 1979’s A Little Romance) and three Césars in a row (for Get Out Your Handkerchiefs, Love on the Run, and The Last Metro) but also be named a Commander of Arts and Letters, one of France’s highest cultural honors. I actually enjoyed the film so the last two don’t really count, but I can’t say the track exposed anything new. In this 2009 video piece, actors Andréa Ferréol, Paulette Dubost, and Sabine Haudepin, along with actor and second assistant director Alain Tasma, recall the joys and challenges of working on THE LAST METRO. Moving on from the commentaries to the supplements section of this release we first come across a lone deleted scene running about 5-minutes. I’m a history buff so I did enjoy some of the content, but it is weak, filled with dead spots, and should have had more Depardieu (his opening, where he talks about Truffaut’s films being too “bourgeois” and that The 400 Blows was overblown, made me hope for more from him.).

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